In this Issue | |
A conversation with Pushpa Rawat, about her unique mode of documentary, her concerns as a individual and her perception of the filmmaker’s larger role. |
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A contemplation of the accomplishments of The Other Love Story, a web-series that makes possible newer modes of depiction of queer relationships in popular culture. |
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A review of Nagraj Manjule’s debut feature, Fandry, with attention directed towards its revolutionary preoccupations. |
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An assessment of the popular consequence of Alison Bechdel’s celebrated, seminal omnibus, The Essential Dykes to Watch Out For. |
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A roundtable featuring the three founder-curators of the recently concluded Peace Builders International Film Festival. |
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A reprint of an essay from the 1982 issue of Cine-Woman, the journal of the International Forum of Women's Cinema. |
Umbra 7 | 'Others' | February 2017
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Umbra 9 | 'Our Gods: Part II' | December 2017
The second part of ‘Our Gods’, a special double-issue, that studies the various forms and methods by which a divine figure is cultivated and then contoured within Indian popular culture..
Umbra 8 | 'Our Gods: Part I' | June 2017
The first part of ‘Our Gods’, Umbra’s special double-issue that focuses on and contemplates the various representations of divinity in Indian popular culture: film, television, stage-plays and graphic novels. It then examines their role in the cultivation of a popular consciousness..
Umbra 7 | 'Others' | February 2017
‘Others’ exists as a condensation of medial representations of individuals, communities or groups whose experiences or lived realities are often excluded from a mainstream narrative that is homogeneous, conventional and cultivated through a consensus that veers towards a bland conservatism..
Umbra 6 | 'Cities' | September 2016
The sixth issue of Umbra explores the notion of a city – in its material, memorial and mythical forms. It takes off – and includes – Charles Correa’s seminal essay, ‘The Mythical City’, and uses its central precinct – that of the distinction between a city as a collective imaginary of its residents or distant dreamers, and the actual, physical space that comes to forge it..
Umbra 5 | 'Spaces' | April 2016
The fifth issue marks a significant turn in the journey of Umbra: it is the point at which the magazine begins to develop tendencies of speculation, poetry and the anecdotal – an upheaval that marks a radical reformation in its earlier, stated mission of cold, bureaucratic reportage..
Umbra 4 | 'Exile' | May 2015
What is the cinema of a people in a state of perpetual movement? Do they stall for the camera, or must the camera accommodate their kinesis? How does a medium based in subtle shifts and gradual decay respond to a situation marked inherently by these phenomena? ..
Umbra 3 | September 2014
The third issue of the magazine includes interviews with filmmakers whose work centers around mobilization and then reconciliation (as opposed to, resettlement): Rajesh Jala, with Children of the Pyre, Sourav Sarangi, with Char, and Pawan Srivastava, with Naya Pata..
Umbra 2 | January 2014
An issue that explores the sector of documentary cinema in the country through the conduct of a roundtable that includes some of its leading practitioners and commentators..
Umbra 1 | August 2013
The inaugural issue of the publication and one that outlays its concerns – screen culture, the dynamics of the film society movement, their active documentation – most actively..