Since the mid-2000s, Indian experimental filmmaker Amit Dutta has been producing work that defies easy categorization. His sensual, stimulating films are as removed from national mainstream cinema(s) as from the international arthouse tradition. They are, instead, incarnations of a personal quest, a lifelong project of research and self-cultivation. They propose newer forms of cinematographic expression through their constant, ongoing dialogue with ancient Indian artistic thought. Taken together, these films constitute a cinema of aesthetic introspection. Despite universal acclaim, including awards and retrospectives across the world, critical commentary on Dutta’s oeuvre has remained scarce.
Modernism by Other Means is the first book-length consideration of the output of one of the most compelling film practitioners active today. Through close-grained critical analysis of each of his films, it examines how Dutta’s work strives towards an authentic conception of modernism, one that bypasses Eurocentric rites of passage, inviting us to reframe our ideas of what being modern in art means.
Srikanth Srinivasan is a film critic from Bangalore, India. He writes on Indian and international cinema, with a focus on experimental and art films, and publishes translations of French film criticism in English. His blog, The Seventh Art, was named one of the top sites for film criticism by the Film Comment